008 Fixed-length data elements general information

https://github.com/uwlib-cams/MARC2RDA/blob/main/Working Documents/00X.csv

TAG 008 has [OBSOLETE]  characterPositionLabels. What to do with? Should it be mapped or ignored? @CECSpecialistI @AdamSchiff

Certain MARC TAGS can be mapped to more RDA properties. How should we record this in the mapping? @

It depends on the MARC TAG and properties in question, I think. Some may merit two or more mappings, and in that case, they can go on separate spreadsheet rows. Otherwise, we need to choose the best property and map to that one. Does that answer your question @SitaKB , or were you getting at something else? Sorry I missed this until now, we could have talked about it at the meeting.

Is it safe to map b - Bibliographies, k - Discographies, q - Filmographies to rdaw:P10004 has category of work?
You can use these three for either an entire work or part of the work, as shown in this example from the MARC manual:
008/24-27	bkq#
504	## $a Bibliography: p. 80-84.
504	## $a Discography: p. 85-97.
504	## $a Filmography: p. 98-101.
In this case, they may be mapped to rdam:P30455 has supplementary content.

Some ideas on mapping CNR: 008/22 - Form of original item:
Use a structured description of Work:carrier version of or Work:transformation by audience of, with a boilerplate "{title from 130 or 245} ({code label of 008/22})".
For codes a - Microfilm, b - Microfiche, c - Microopaque, o - Online, q - Direct electronic, s - Electronic, map to Work:carrier version of.
For codes d - Large print, e - Newspaper format, f - Braille, map to Work:transformation by audience of.
Example:
MARC
OCLC #34107580
008/22 e (Newspaper format)
008/23 o (Online)
022 1_ $a 1553-8095 $l 0362-4331 $2 1
245 04 $a The New York Times.
RDA
<ex:Work> rdawd:P10366[has ISSN] "1553-8095"
<ex:Work> rdawd:P10384[is transformation by audience of] "New York Times (Newspaper format)" .

Hello @AdamSchiff @CatalogerCate @tmqdeborah @GordonDunsire ,
We ran into a question while we were reviewing the 008 mapping today. Here's a link to the place in the notes, for context.
We want to know whether MARC MUSIC 008 /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:
"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."
We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?
Thanks for considering these questions!

It refers to the main work, not any supplemental stuff.
Want an example?
Cate

From: Crystal Yragui (Clements) @.>
Sent: Wednesday, September 6, 2023 10:10 AM
To: uwlib-cams/MARC2RDA @.>
Cc: Cate Gerhart @.>; Mention @.>
Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
Hello @AdamSchiffhttps://urldefense.com/v3/__https://github.com/AdamSchiff__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVQuE4Cvk$ @CatalogerCatehttps://urldefense.com/v3/__https://github.com/CatalogerCate__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVZwjK6yo$ @tmqdeborahhttps://urldefense.com/v3/__https://github.com/tmqdeborah__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVzq723hM$ @GordonDunsirehttps://urldefense.com/v3/__https://github.com/GordonDunsire__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVTUy-yRs$ ,
We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes*there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVFzdlyO0$ to the place in the notes, for context.
We want to know whether MARC MUSIC 008https://urldefense.com/v3/__https://www.loc.gov/marc/bibliographic/bd008m.html__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheV1kpnUIg$ /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:
"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."
We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?
Thanks for considering these questions!
—
Reply to this email directly, view it on GitHubhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/issues/50*issuecomment-1708785905__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVyecLK-k$, or unsubscribehttps://urldefense.com/v3/__https://github.com/notifications/unsubscribe-auth/AVX7HCXM3VCW7SROEK3RVVLXZCVBXANCNFSM5IXIGJCA__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVUeNrkC4$.
You are receiving this because you were mentioned.Message ID: @.***>

Remember this is for spoken word, so this is just coding what kind of thing is being spoken. It's it poetry? Is it conference proceedings?  It defines the work but it's used on an expression bib.
Cate

From: Crystal Yragui (Clements) @.>
Sent: Wednesday, September 6, 2023 10:10 AM
To: uwlib-cams/MARC2RDA @.>
Cc: Cate Gerhart @.>; Mention @.>
Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
Hello @AdamSchiffhttps://urldefense.com/v3/__https://github.com/AdamSchiff__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVQuE4Cvk$ @CatalogerCatehttps://urldefense.com/v3/__https://github.com/CatalogerCate__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVZwjK6yo$ @tmqdeborahhttps://urldefense.com/v3/__https://github.com/tmqdeborah__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVzq723hM$ @GordonDunsirehttps://urldefense.com/v3/__https://github.com/GordonDunsire__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVTUy-yRs$ ,
We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes*there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVFzdlyO0$ to the place in the notes, for context.
We want to know whether MARC MUSIC 008https://urldefense.com/v3/__https://www.loc.gov/marc/bibliographic/bd008m.html__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheV1kpnUIg$ /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:
"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."
We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?
Thanks for considering these questions!
—
Reply to this email directly, view it on GitHubhttps://urldefense.com/v3/__https://github.com/uwlib-cams/MARC2RDA/issues/50*issuecomment-1708785905__;Iw!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVyecLK-k$, or unsubscribehttps://urldefense.com/v3/__https://github.com/notifications/unsubscribe-auth/AVX7HCXM3VCW7SROEK3RVVLXZCVBXANCNFSM5IXIGJCA__;!!K-Hz7m0Vt54!ki-42caGLkJftYcF0XaqK4vOoxQZ6B81tI9pcGQHd-6pExYyy6KI_VFM51TkSARvoaygD_6KQbVsiheVUeNrkC4$.
You are receiving this because you were mentioned.Message ID: @.***>

Ah, so then "sound" would be spoken non-word sounds? That makes a bit more sense. So we can map these to "has category of work"?

Hi Crystal,
I would say that whether MARC MUSIC 008 /30-31 "Literary text for sound recordings" refers to the genre of the content of the words that are being spoken.
A blank (#) means that the recording either includes no words (just music) or the words are sung rather than spoken (i.e., the recording is musical).
Code ‘s’ means that the recording is of sounds without words. I have attached a file of examples from the copy of LC records that I have. Note that in some cases another code is provided, e.g., ‘i' for Instruction.
So, the MUSIC 008 /30-31 codes do not necessarily indicate aggregates, although the manifestation might be an aggregate that embodies different expressions.
However, the code ‘s’ (sounds) raises the question about whether the recorded sounds are expressions. Unless those sounds (utterance and vocalizations) are made by humans, I don’t think the sounds themselves are.
In which case, the work is the act of recording the sounds (similar to the act of taking a photograph) and its creator is a recordist agent (An agent who contributes to an expression by using a recording device to capture sound or video during a recording session. Includes field recordings of natural sounds, music performances, and other events).
Each recording is separate, so each must be a separate expression/work. If there is only one recording event (similar to when there is only one photo, or drawing), then it is a single-part expression/work. If the manifestation embodies multiple separate recordings, we are back to the manifestation embodying multiple expressions.
Looking at the examples in the attached file, I would say that most of those MARC records are for aggregate manifestations, even when there is no indication of supplementary content. But every now and then there is a record for a single recording, e.g., 010    $a    93850695 (https://soundcloud.com/user-651349945/playhouse-on-the-beach-female-voice/recommended)
So, what do we do?

Rely on the MUSIC 008 /30-31 = ‘s’ as a single marker for an aggregate manifestation
Only rely on MUSIC 008 /30-31 = ‘s’ as an addition marker for an aggregate manifestation, in conjunction with other markers, e.g., 505.

I’m working on sending what I have been working on for pulling out manifestations of diachronic works and should have something to send soon. Then I’ll move on to identifying aggregate manifestations.
Deborah

Deborah Fritz
<EMAIL_ADDRESS>From: Crystal Yragui (Clements) @.>
Sent: Thursday, September 7, 2023 5:11 AM
To: uwlib-cams/MARC2RDA @.>
Cc: Deborah Fritz @.>; Mention @.>
Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
Hello @AdamSchiffhttps://github.com/AdamSchiff @CatalogerCatehttps://github.com/CatalogerCate @tmqdeborahhttps://github.com/tmqdeborah @GordonDunsirehttps://github.com/GordonDunsire ,
We ran into a question while we were reviewing the 008 mapping today. Here's a linkhttps://github.com/uwlib-cams/MARC2RDA/wiki/2023-Meeting-Minutes#there-was-some-confusion-about-music-30-31-literary-text-for-sound-recordings to the place in the notes, for context.
We want to know whether MARC MUSIC 008https://www.loc.gov/marc/bibliographic/bd008m.html /30-31 "Literary text for sound recordings" refers to supplementary material in an augmentation aggregate or the "main work" described in a MARC record, or potentially both. MARC describes the positions as follows:
"Up to two one-character codes (recorded in the order of the following list) that indicate the type of literary text contained in a nonmusical sound recording. If only one code is assigned, it is left justified and the unused position contains a blank (#). If more than two codes for types of literary text are appropriate to an item, only the two most important are recorded."
We had a hard time coming up with examples of when code "s" for "sound" would be appropriate here. Maybe for non-word text or indications of the type of sound to be used? If this code is appropriate, would it be at the work or expression level?
Thanks for considering these questions!
—
Reply to this email directly, view it on GitHubhttps://github.com/uwlib-cams/MARC2RDA/issues/50#issuecomment-1708785905, or unsubscribehttps://github.com/notifications/unsubscribe-auth/ABSHSEUNGYCFOTTJ2XUPGITXZCVBVANCNFSM5IXIGJCA.
You are receiving this because you were mentioned.Message ID<EMAIL_ADDRESS>MARC Source filename: D:\1.LCEnglish-Jan2022\English-Jan2022_NOTlooseleaf.mrc
Review Description: AND 008/30 [MU]=s [Case=Y]
000 01480nim  2200325 a 4500
001    00515765
003 DLC
005<PHONE_NUMBER>0011.0
007 sd|fsngnnmmned
008 000317s1999    counnn   bd    is   eng
010    $a    00515765
028 02 $a GCNP99 $b Travel Audios
033    $b 4314 $c C5
040    $a DLC $c DLC
043    $a n-us-az
050 00 $a SDA 05980
100 1  $a Rommes, Donald.
245 10 $a Voices of the canyon, "an insiders guide" $h [sound recording] : $b Grand Canyon National Park / $c [Donald and Nancy Rommes].
246 3  $a Grand Canyon National Park
260    $a Colorado Springs, CO : $b Travel Audios, $c p1999.
300    $a 1 sound disc (64 min., 54 sec.) : $b digital ; $e 4 3/4 in.
306    $a 010454
500    $a Issued with manuscript (35 p. ; 28 cm.) containing script and bibliographical references.
505 0  $a Introduction -- Native Americans speak -- The geology story -- Adventures of John Wesley Powell -- River runners : past and present -- Early settlers -- Birds, reptiles, and mammals -- Discovering the canyon for yourself.
511 0  $a Narrated by Jay Cook.
518    $a Recorded at Get Reel Productions, Colorado Springs, Colo.
520    $a Presents information about the natural landmarks and wildlife in Grand Canyon National Park. Features interviews with park rangers, as well as accompanying music and nature sounds.
651  0 $a Grand Canyon National Park (Ariz.)
700 1  $a Cook, Jay. $4 nrt
700 1  $a Rommes, Nancy.
000 01163cim  2200277 a 4500
001    00515768
003 DLC
005<PHONE_NUMBER>2955.0
007 sd|fsnennmmned
008 000328s1998    xxunnn         s    eng
010    $a    00515768
040    $a DLC $c DLC
043    $a n-usl--
050 00 $a SDA 02674
245 00 $a Songs of crickets & katydids of the Mid-Atlantic states $h [sound recording] / $c produced by Steve Rannels and Wil Hershberger.
246 3  $a Songs of crickets and katydids of the Mid-Atlantic states
260    $a [United States] : $b W. Hershberger and S. Rannels, $c [1998]
300    $a 1 sound disc : $b digital ; $c 4 3/4 in.
500    $a Field recordings by Steve Rannels and Wil Hershberger.
500    $a Compact disc.
520    $a Presents the vocalizations of crickets and katydids in their natural habitat, located in the Middle Atlantic States.  Narration includes the name and location of each insect.
650  0 $a Crickets $x Vocalization $z Middle Atlantic States.
650  0 $a Katydids $x Vocalization $z Middle Atlantic States.
650  0 $a Insect sounds $z Middle Atlantic States.
700 1  $a Rannels, Steve.
700 1  $a Hershberger, Wil.
000 01296nim  22003011a 4500
001    00517568
003 DLC
005<PHONE_NUMBER>4354.0
007 sd|zsngnnmmned
008 000410s1998    xx   n j       s        d
010    $a    00517568
020    $a<PHONE_NUMBER>
024 1  $a<PHONE_NUMBER>29
028 02 $a TWIN 160CD $b Twin Sisters Productions
028 02 $a Twin 160 CD $b Twin Sisters Productions
035    $a (OCoLC)ocm38957358
040    $a JBU $c JBU $d OCL $d DLC
042    $a lcderive
050 00 $a SDA 06779
245 00 $a Nature sounds $h [sound recording]
260    $a [S.l.] : $b Twin Sister Productions, Inc., $c c,p1998.
300    $a 1 sound disc : $b digital, $c 4 3/4 in.
505 0  $a Wonders of the ocean -- Gentle breeze of autumn -- Rain's sweet sound -- Good morning sweetheart -- Mother's sound -- Lunar eclipse -- A Windy day -- Harp  by the sea -- Evening is drawing near -- My playful friends -- I see a rainbow -- Nature's symphony.
508    $a Song compilations, Kim Mitzo Thompson, Karen Mitzo Hilderbrand; music, Hal Wright; executive producers, Kim Thompson, Karen Hilderbrand; cover, Virginia Dixon.
520    $a Original musical arrangements are coupled with natural sounds.
650  0 $a Nature sounds.
700 1  $a Hilderbrand, Karen Mitzo.
700 1  $a Thompson, Kim Mitzo.
000 01909cim  22003131a 4500
001    00517569
003 DLC
005<PHONE_NUMBER>2124.0
007 sd|zsngnnmmned
008 000410s1998    ohu  n j       s        d
010    $a    00517569
020    $a<PHONE_NUMBER>
024 1  $a<PHONE_NUMBER>28
028 02 $a TWIN 161CD $b Twin Sisters Productions
028 02 $a Twin 161 CD $b Twin Sisters Productions
035    $a (OCoLC)ocm39638416
040    $a JBU $c JBU $d DLC
042    $a lcderive
050 00 $a SDA 06780
245 00 $a Hymns & Bible songs $h [sound recording]
246 1  $a Hymns and Bible songs
260    $a [Akron, OH] : $b Twin Sister Productions, Inc., $c c,p1998.
300    $a 1 sound disc (60 min.) : $b digital ; $c 4 3/4 in.
505 0  $a Come thou fount -- What a friend we have in Jesus -- My Jesus, I love thee -- Jesus loves me -- Fairest Lord Jesus -- Oh how I love Jesus -- Amazing grace -- Blessed assurance -- Whiter than snow -- Immortal, invisible -- For the beauty of the earth -- I sing the mighty power of God -- O worship the king -- Deep and wide -- God is so good -- He is Lord -- Isn't He wonderful -- Praise him, praise him -- My god is so great -- Blessed be the name -- I will sing of the mercies of the Lord -- This is my commandment -- Rejoice in the Lord always -- He's got the whole world in his hands -- What a might god we serve -- This little light of mine -- Give me oil in my lamp -- Jesus wants me for a sunbeam -- Heavenly sunshine -- Evening prayer -- A little talk with Jesus -- Standing in the need of prayer -- Whisper a prayer.
508    $a Song compilations, Kim Mitzo Thompson, Karen Mitzo Hilderbrand; music, Hal Wright; executive producers, Kim Thompson, Karen Hilderbrand; cover, Virginia Dixon.
650  0 $a Hymns, English $v Juvenile sound recordings.
700 1  $a Hilderbrand, Karen Mitzo.
700 1  $a Thompson, Kim Mitzo.
710 2  $a Twin Sisters Productions.
000 00882nim  2200301 a 4500
001    00518519
003 DLC
005<PHONE_NUMBER>4416.0
007 sd|fsngnnmmned
008 000607s1997    xxunnn         s
010    $a    00518519
024 1  $a<PHONE_NUMBER>25
028 02 $a ATM-16 $b Only New Age Music
033    $a 19970208
040    $a DLC $c DLC
043    $a n-us---
050 00 $a SDA 08529
245 02 $a A night in the canyon $h [sound recording].
260    $a [United States] : $b Only New Age Music, $c p1997.
300    $a 1 sound disc (51 min., 41 sec.) : $b digital ; $c 4 3/4 in.
306    $a 005141
440  0 $a Sounds of nature
500    $a Compact disc.
518    $a Recorded Feb. 8, 1997.
520    $a Present animal and nature sounds from a canyon in the United States.
650  0 $a Nature sounds.
650  0 $a Animal sounds.
650  0 $a Canyons $z United States.
000 00883cim  2200301 a 4500
001    00526033
003 DLC
005<PHONE_NUMBER>5354.0
007 sd|fsngnnmmned
008 000607s1997    xxunnn         s
010    $a    00526033
024 1  $a<PHONE_NUMBER>26
028 02 $a ATM-2 $b Only New Age Music
033    $a 19970208
040    $a DLC $c DLC
043    $a n-usu--
050 00 $a SDA 08517
245 00 $a Southern swamp $h [sound recording].
260    $a [United States] : $b Only New Age Music, $c p1997.
300    $a 1 sound disc (50 min., 18 sec.) : $b digital ; $c 4 3/4 in.
306    $a 005018
440  0 $a Sounds of nature
500    $a Compact disc.
518    $a Recorded Feb. 8, 1997.
520    $a Present animal and nature sounds from a southern swamp in the United States.
650  0 $a Nature sounds.
650  0 $a Animal sounds.
650  0 $a Swamps $z Southern States.
000 01366cim  22003377a 4500
001    00581494
003 DLC
005<PHONE_NUMBER>0903.0
007 sd|bmsfnnmplue
008 000711s1957    nyunnn         sz   eng
010    $a    00581494
028 10 $a WR-3291 $b Foote, Cone & Belding Advertising
028 10 $a WR-3292 $b Foote, Cone & Belding Advertising
040    $a DLC $c DLC $d DLC
043    $a n-us---
050 00 $a NCPC 02400
110 2  $a Foote, Cone & Belding.
245 10 $a Howard Hughes' Jet pilot $h [sound recording].
246 30 $a Jet pilot
260    $a New York : $b Foote, Cone & Belding Advertising, $c 1957.
300    $a 1 sound disc : $b analog, 33 1/3 rpm, mono. ; $c 16 in.
500    $a Foote, Cone & Belding Advertising: WR-3291 (matrix)--WR-3292 (matrix).
500    $a Distributed electrical transcription recording.
500    $a Tracks 11 and 12 contain jet effects for use with live copy.
520    $a Contains four 15-second spots (tracks 1 through 4), six 10-second spots (tracks 5 through 10), and eight 50-second spots designed to promote the 1957 motion picture Jet pilot, produced by Howard Hughes.
500    $a Production level cataloging.
630 00 $a Jet pilot (Motion picture)
650  0 $a Jet plane sounds.
655  7 $a Radio commercials. $2 lcgft
700 1  $a Hughes, Howard, $d 1905-1976.
730 0  $a Jet pilot (Motion picture)
000 01367nim  22003372a 4500
001    00691400
003 DLC
005<PHONE_NUMBER>5155.0
007 sd|fsngnnmmned
008 000930p19981999ne nnn         s        d
010    $a    00691400
020    $c [ $] 19.97
024 3  $a<PHONE_NUMBER>926
028 02 $a ORN 55792 $b Oreade Music
028 02 $a ORN 55792 $b Oreade
035    $a (OCoLC)ocm46426322
040    $a NVC $c NVC $d DLC
042    $a lcderive
050 00 $a SDA 20783
100 1  $a Goodall, Medwyn.
245 14 $a The dolphin quest $h [sound recording].
260    $a Eindhoven, Holland : $b Silver Wings Publishing : $b released by Oreade Music, $c 1999.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a The natural sounds of dolphins and sea, both above and below the waves used in this recording are separately available on Oreade's Sounds of the Earth Series: The sea ORN 5416-2 & Dolphins ORN 5417-2.
500    $a Statement of responsibility from CD label and container.
500    $a Compact disc.
505 0  $a Divine connections (part one) -- Atlantean crystal -- Unconditional love -- Messenger from sirius -- Turquoise ocean -- Divine connections (part two).
508    $a All music composed, produced, arranged, recorded and mastered by Medwyn Goodall.
650  0 $a Nature sounds.
650  0 $a New Age music.
650  0 $a Dolphins.
000 00863cim  22002651a 4500
001    81740173
003 DLC
005<PHONE_NUMBER>5738.0
007 ssulunjlcnnnu
008 840608s1981    tnunnn         s
010    $a    81740173
033    $b 5310
040    $a DLC $c DLC $d DLC
050 10 $a QL698.5
050 00 $a RYA 0370
245 00 $a Bird songs and calls from southeast Peru $h [sound recording].
260    $a Memphis, Tenn. : $b B. Coffey, $c c1981.
300    $a 1 sound cassette.
511 0  $a Produced by Ben B. Coffey, Jr., and Lula C. Coffey.
518    $a "Taped at Explorer's Inn in the Tambopata Nature Reserve and at Puerto Maldonado, Peru"--Container notes.
520    $a Recordings of the bird songs and calls of seventy-one Peruvian birds.
650  0 $a Birdsongs.
650  0 $a Birds $z Peru.
700 1  $a Coffey, Ben B.
700 1  $a Coffey, Lula C.
000 01136cim  22003011a 4500
001    82740027
003 DLC
005<PHONE_NUMBER>1457.0
007 sd bsmennmplue
008 840525s1971    nz nnn         s
010    $a    82740027
028 02 $a SLD.25 $b Kiwi Pacific Records
040    $a DLC $c DLC $d DLC
043    $a u-nz---
050 00 $a Kiwi Pacific Records SLD.25
245 02 $a A Treasury of New Zealand bird song $h [sound recording].
260    $a Wellington, N.Z. : $b Kiwi Pacific Records, $c c1971.
300    $a 1 sound disc : $b 33 1/3 rpm, stereo. ; $c 12 in.
500    $a Recorded by Kenneth and Jean Bigwood ; introduced by Gordon R. Williams.
500    $a Notes on all birds found in book: Birds of New Zealand / Gordon R. Williams.
500    $a Two supplements issued on 7-inch discs.
500    $a Issued also on cassette.
520    $a The voices of thirty birds as recorded in the forests, mountains, and countryside of New Zealand.
650  0 $a Birdsongs.
650  0 $a Birds $z New Zealand.
700 1  $a Bigwood, Kenneth.
700 1  $a Bigwood, Jean.
700 1  $a Williams, Gordon R., $d 1920- $t Birds of New Zealand.
000 01342cim  22003491a 4500
001    82740082
003 DLC
005<PHONE_NUMBER>5306.0
007 ss lmnjlcnnnue
008 840423p19821952counnn   z     s
010    $a    82740082
028 02 $a C101 $b Owl Recording
033 2  $a 1952---- $a 1959----
040    $a DLC $c DLC $d DLC
043    $a n-us---
050 10 $a TJ608
050 00 $a RYA 1381
245 00 $a Steam sound stories $h [sound recording].
260    $a Boulder, CO : $b Owl Recording, $c c1982.
300    $a 1 sound cassette : $b mono.
511 0  $a Recording and narration by Howard Fogg ; with some sequences recorded by Fred H. Ragsdale ; produced by Thomas Steenland.
500    $a Includes the complete content of the Howard Fogg steam records All steamed up! and The Big steam--Union Pacific.
500    $a Notes inserted in container.
520    $a Presents authentic operational railroad sounds from the steam era that were recorded in the period 1952-59.
505 0  $a Colorado and Southern steam action -- Union Pacific locomotives during their final years.
650  0 $a Locomotive sounds.
650  0 $a Railroad sounds.
610 20 $a Colorado and Southern Railway.
610 20 $a Union Pacific Railroad.
700 1  $a Fogg, Howard, $d 1917-1996.
730 02 $a All steamed up!
730 02 $a Big steam--Union Pacific.
000 01182cim  2200289 a 4500
001    83740131
003 DLC
005<PHONE_NUMBER>3129.0
007 sdubsmennmplu
008 840406s1982    oncnnn         s
010    $a    83740131
028 02 $a DG 82005 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
050 10 $a QH45.5
050 00 $a Dan Gibson Productions DG 82005
245 00 $a Dawn on the desert ; Among the mountain canyons and valleys $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1982.
300    $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. : $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 5
500    $a Recorded and produced by Dan Gibson.
500    $a Issued also as cassette.
520    $a Presents field recordings of a stream, a thunderstorm, and wildlife. Nature sounds include the curve-billed thrasher, mourning dove, coyote, summer tanager, plain titmouse, and others.
650  0 $a Nature sounds.
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a Dawn on the desert.
740 0  $a Among the mountain canyons and valleys.
000 01219cim  2200289 a 4500
001    83740132
003 DLC
005<PHONE_NUMBER>3356.0
007 sdubsmennmplu
008 840309s1982    oncnnn         s
010    $a    83740132
028 02 $a DG 82004 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
043    $a n-us-ny
050 00 $a Dan Gibson Productions DG 82004
245 00 $a Niagara Falls, the gorge and glen ; Among the ponds and streams of Niagara $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1982.
300    $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 4
500    $a Recorded and produced by Dan Gibson.
500    $a Issued also as cassette.
520    $a Presents field recordings of water and wildlife, including the gray squirrel, red-tailed hawk, white-breasted nuthatch, American toad, belted kingfisher, and others.
650  0 $a Nature sounds $z New York (State) $z Niagara Falls.
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a Niagara Falls, the gorge and glen.
740 0  $a Among the ponds and streams of Niagara.
000 00986cim  2200277 a 4500
001    83740133
003 DLC
005<PHONE_NUMBER>3238.0
007 sdubsmennmplu
008 840309s1981    oncnnn         s
010    $a    83740133
020    $c [ $] 9.98.
028 02 $a DG 81002 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
050 10 $a GC28
050 00 $a Dan Gibson Productions DG 81002
245 00 $a Sounds of the surf $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in the U.S.A. by the Mass Music Group, $c 1981.
300    $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 2
500    $a Recorded and produced by Dan Gibson.
500    $a Issued also as cassette.
520    $a Presents field recordings of moderate surf in a hidden cove and heavy surf on a rocky point along a sand spit.
650  0 $a Ocean sounds.
700 1  $a Gibson, Dan, $d 1922-2006.
000 01165cim  2200301 a 4500
001    83740134
003 DLC
005<PHONE_NUMBER>2941.0
007 sdubsmennmplu
008 840406s1981    oncnnn         s
010    $a    83740134
020    $c [ $] 9.98
028 02 $a DG 81001 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
050 10 $a QH45.5
050 00 $a Dan Gibson Productions DG 81001
245 00 $a By canoe to Loon Lake ; Dawn by a gentle stream $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1981.
300    $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 1
500    $a Recorded and produced by Dan Gibson.
500    $a Issued also as cassette.
520    $a Presents field recordings of water and other natural sounds. Includes the ruby-crowned kinglet, white-throated sparrow, spring pepper frog, magnolia warbler, and other wildlife.
650  0 $a Nature sounds.
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a By canoe to Loon Lake.
740 0  $a Dawn by a gentle stream.
000 01297cim  2200313 a 4500
001    83740135
003 DLC
005<PHONE_NUMBER>3048.0
007 sdubsmennmplu
008 840309s1981    oncnnn         s
010    $a    83740135
020    $c [ $] 9.98.
028 02 $a DG 81003 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
043    $a n-usp--
050 10 $a QH104.5.P32
050 00 $a Dan Gibson Productions DG 81003
245 00 $a Among the giant trees of the wild Pacific coast ; Spring morning on the prairies $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1981.
300    $a 1 sound disc (60 min.) : $b 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 3
500    $a Recorded and produced by Dan Gibson.
500    $a Issued also as cassette.
520    $a Presents field recordings of a thunderstorm, surf, and wildlife on the prairie. Includes sounds of the fox sparrow, red-shafted flicker, bald eagle, vesper sparrow, marbled godwit, and others.
650  0 $a Nature sounds $z Pacific Coast (U.S.)
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a Among the giant trees of the wild Pacific coast.
740 0  $a Spring morning on the prairies.
000 01932cim  2200433 a 4500
001    83740145
003 DLC
005<PHONE_NUMBER>3837.0
007 sdubumennmplu
008 840420s1983    maunnn         s    eng
010    $a    83740145
028 10 $a MC-204-5A $b Houghton Mifflin Co.
028 10 $a MC-204-5B $b Houghton Mifflin Co.
028 10 $a MC-204-5C $b Houghton Mifflin Co.
028 10 $a MC-204-5D $b Houghton Mifflin Co.
040    $a DLC $c DLC $d DLC
043    $a n------
050 10 $a QL681
050 00 $a Houghton Mifflin Co. MC-204-5A--MC-204-5D
245 02 $a A Field guide to bird songs of eastern and central North America $h [sound recording].
250    $a 2nd ed.
260    $a Boston : $b Houghton Mifflin Co., $c c1983.
300    $a 2 sound discs : $b 33 1/3 rpm ; $c 12 in.
490 1  $a The Peterson field guide series
500    $a Houghton Mifflin Co.: MC-204-5A (matrix)--MC-204-5D (matrix)
500    $a Sponsored by the National Audubon Society and the National Wildlife Association.
500    $a "Cornell Laboratory of Ornithology"--Container.
511 0  $a Narrator, Ron Foster ; producer, James Gulledge ; consultants, Dorothy Crumb ... [et al.]
500    $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed.
500    $a Notes on container.
500    $a Issued also as sound cassette.
520    $a Presents a collection of the songs and calls of 250 species of birds found in eastern and central North America. Includes only species in which songs and calls are of use in field identification.
650  0 $a Birdsongs $z North America.
700 1  $a Foster, Ron.
700 1  $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds.
710 2  $a National Audubon Society.
710 2  $a National Wildlife Association.
710 2  $a Cornell University. $b Laboratory of Ornithology.
830  0 $a Peterson field guide series (Sound recording)
000 01252cim  2200301 a 4500
001    84756118
003 DLC
005<PHONE_NUMBER>3337.0
007 sdubsmennmplu
008 840320s1983    oncnnn         s
010    $a    84756118
028 02 $a DG 83007 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
043    $a n-usu--
050 10 $a QL765
050 00 $a Dan Gibson Productions DG 83007
245 00 $a Night in a southern swamp ; Don't feed the alligators $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in the U.S.A. by the Moss Music Group, $c p1983.
300    $a 1 sound disc : $b 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 006000
440  0 $a Solitudes ; $v v. 7
500    $a Recorded and produced by Dan Gibson.
520    $a Features the authentic, natural environmental sounds of a southern swamp with wildlife such as wood ducks, swamp chorus frogs, and screech owls. The second side features such swamp wildlife as the great egret, laughing gulls, and numerous water and shore birds.
650  0 $a Animal sounds.
650  0 $a Swamps $z Southern States.
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a Night in a southern swamp.
740 0  $a Don't feed the alligators.
000 01016cim  2200265 a 4500
001    84758419
003 DLC
005<PHONE_NUMBER>0457.0
007 ssulunjlcnnnu
008 840705s1984    mdunnn         is   eng
010    $a    84758419
040    $a DLC $c DLC $d DLC $d WaU
050 10 $a SK333.G6
050 00 $a RYA 2624
245 00 $a Modern goose calling $h [sound recording].
260    $a Queenstown, Md. : $b Eastern Shore Hunting Service, $c [1984?]
300    $a 1 sound cassette $b analog.
500    $a Title from container.
511 0  $a Featuring Tim Covey ; narrated by Pete Henry.
500    $a Notes inserted in container.
520    $a Teaches the techniques and art of calling Canada geese with professional guide Tim Covey replicating sounds. Discusses decoy problems, and moves out to the field where Covey and another guide demonstrate calls for getting geese to decoy to the caller.
650  0 $a Canada goose shooting.
650  0 $a Game calling (Hunting)
700 1  $a Covey, Tim.
700 1  $a Henry, Pete. $4 nrt
000 01080cim  2200277 a 4500
001    84759647
003 DLC
005<PHONE_NUMBER>0320.0
007 sdubumennmplu
008 841017s1982    nyunnn   z     s
010    $a    84759647
028 02 $a FX6118 $b Folkways Records
040    $a DLC $c DLC $d DLC
050 10 $a QL765
050 00 $a Folkways FX6118
245 00 $a Playing music with animals $h [sound recording] : $b interspecies communication of Jim Nollman with 300 turkeys, 12 wolves, and 20 orcas.
260    $a New York, N.Y. : $b Folkways Records, $c p1982.
300    $a 1 sound disc : $b 33 1/3 rpm ; $c 12 in.
511 0  $a Music performed on various instruments by Jim Nollman, Sybl Glebow, and Liza.
500    $a Notes by Jim Nollman inserted in container.
520    $a Documents the unique music that resulted when musician Jim Nollman played various instruments in the wild and got interesting responses from animals.
650  0 $a Animal sounds.
650  0 $a Human-animal communication.
700 1  $a Nollman, Jim.
700 1  $a Glebow, Sybl.
700 0  $a Liza $c (Musician)
000 01663cim  2200385 a 4500
001    84759960
003 DLC
005<PHONE_NUMBER>3840.0
007 ssulunjlcnnnu
008 841115s1983    maunnn   r     s    eng
010    $a    84759960
020    $a<PHONE_NUMBER>
040    $a DLC $c DLC $d DLC
043    $a n------
050 10 $a QL681
050 00 $a RZA 0486
245 02 $a A Field guide to bird songs of eastern and central North America $h [sound recording].
250    $a 2nd ed.
260    $a Boston : $b Houghton Mifflin Co., $c p1983.
300    $a 2 sound cassettes : $b analog + $e 1 guide (12 p.)
490 1  $a The Peterson field guide series
500    $a Sponsored by the National Audubon Society and the National Wildlife Federation.
500    $a "Cornell Laboratory of Ornithology"--Container.
511 0  $a Narrator, Ron Foster ; producer, James Gulledge ; consultants, Dorothy Crumb ... [et al.]
500    $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed.
500    $a In container (17 cm.)
500    $a Issued also as sound disc.
520    $a Presents a collection of the songs and calls of 250 species of birds found in eastern and central North America. Includes only species in which songs and calls are of use in field identification.
650  0 $a Birdsongs $z North America.
700 1  $a Foster, Ron.
700 1  $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds.
710 2  $a National Audubon Society.
710 2  $a National Wildlife Association.
710 2  $a Cornell University. $b Laboratory of Ornithology.
830  0 $a Peterson field guide series (Sound recording)
000 01017cim  2200289 a 4500
001    85750289
003 DLC
005<PHONE_NUMBER>0835.0
007 ssulunjlcnnnu
008 850130s1983    flunnn         s    eng
010    $a    85750289
028 02 $a DM-83004-C $b Real Turkeys
033    $b 3930
040    $a DLC $c DLC $d DLC
050 10 $a QL696.G254
050 00 $a RYA 2705
245 00 $a Real turkeys : $b the best known calls $h [sound recording].
260    $a Gainesville, FL : $b Real Turkeys, $c p1983.
300    $a 1 sound cassette : $b analog.
500    $a Recorded by turkey biologists Lovett Williams and David Austin.
511 0  $a Narrator, Lovett Williams.
518    $a Recorded in Florida.
520    $a A recording of the voices of wild turkeys in their natural habitat. Includes the lost call, kee-kee, kee-kee-run, plain yelp, clucking, putting, gobbling, and cackling.
650  0 $a Wild turkey.
650  0 $a Birdsongs.
700 1  $a Williams, Lovett E. $4 nrt
700 1  $a Austin, David H., $c turkey biologist.
000 01267cim  2200313 a 4500
001    87751770
003 DLC
005<PHONE_NUMBER>3749.0
007 ssulunjlcnnnu
008 870514s1985    msunnn   r     s
010    $a    87751770
040    $a DLC $c DLC $d DLC
041 0  $g eng
043    $a n-us-ms
050 00 $a RZA 0628
245 02 $a A Field guide to Mississippi bird songs $h [sound recording].
260    $a Jackson, MS : $b Mississippi Dept. of Wildlife Conservation, $c p1985.
300    $a 2 sound cassettes : $b analog + $e 1 guide (19 p. ; 17 cm.)
500    $a Title on guide: A guide to Mississippi bird songs.
500    $a Title inside guide: Mississippi bird songs.
511 0  $a Recordings made and produced by W.H. Turcotte ; narration by Milt Lawrence.
500    $a In container (18 cm.)
520    $a Presents songs and calls of some one hundred fifteen specimens of birds occurring in Mississippi. Each species is named and further identified as to habitat and status in the guide.
650  0 $a Birdsongs $z Mississippi.
650  0 $a Birds $z Mississippi.
700 1  $a Turcotte, W. H. $q (William H.)
710 1  $a Mississippi. $b Department of Wildlife Conservation.
740 0  $a Guide to Mississippi bird songs.
740 0  $a Mississippi bird songs.
000 01273cim  2200349 a 4500
001    88750442
003 DLC
005<PHONE_NUMBER>0507.0
007 sdubsmennmplu
008 880201p19631959enknnn         s
010    $a    88750442
028 02 $a ATR 7009 $b ASV Transacord
028 00 $a ZC ATR 7009 $b ASV Transacord
033 0  $a 19590523 $b 5740
040    $a DLC $c DLC $d DLC
043    $a e-uk---
050 10 $a TJ608
050 00 $a ASV Transacord ATR 7009
245 04 $a The Triumph of an A4 Pacific $h [sound recording].
260    $a London : $b ASV Transacord ; $a Mitcham, Surrey : $b Manufactured & distributed by P.R.T. Records, $c p1963.
300    $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in.
440  0 $a Sounds of the steam age
500    $a Produced by Peter Handford.
518    $a Recorded in Great Britain, May 23, 1959.
500    $a Notes on container.
500    $a Issued also as cassette: ZC ATR 7009.
520    $a Presents the sounds of an A4 Pacific making a special run in celebration of the jubilee of the Stephenson Locomotive Society.
650  0 $a Locomotive sounds.
650  0 $a Class A4 (Steam locomotives)
610 20 $a London and North Eastern Railway.
610 20 $a British Rail (Firm)
740 0  $a Triumph of an A-four Pacific.
000 01230cim  2200349 a 4500
001    88750445
003 DLC
005<PHONE_NUMBER>0515.0
007 sdubsmennmplu
008 880201p19771956enknnn         s
010    $a    88750445
028 02 $a ATR 7010 $b ASV Transacord
028 00 $a ZC ATR 7010 $b ASV Transacord
033 2  $a 1956---- $a 1961---- $b 5740
040    $a DLC $c DLC $d DLC
043    $a e-uk---
050 10 $a TJ608
050 00 $a ASV Transacord ATR 7010
245 00 $a L.N.E.R. $h [sound recording].
260    $a London : $b ASV Transacord ; $a Mitcham, Surrey : $b Manufactured & distributed by P.R.T. Records, $c p1977.
300    $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in.
440  0 $a Sounds of the steam age
500    $a Produced by Peter Handford.
518    $a Recorded between 1956 and 1961 in Great Britain.
500    $a Notes on container.
500    $a Issued also as cassette: ZC ATR 7010.
520    $a Presents the sounds of steam locomotives of the London and North Eastern Railway at work on British Railways.
650  0 $a Locomotive sounds.
650  0 $a Locomotives $z Great Britain.
610 20 $a London and North Eastern Railway.
610 20 $a British Rail (Firm)
740 0  $a LNER.
000 01333cim  2200313 a 4500
001    88751433
003 DLC
005<PHONE_NUMBER>3327.0
007 sduzsnznnmlne
008 880322s1987    gw nnn   r     s
010    $a    88751433
028 00 $a 11050 $b Delta Music
028 00 $a 11078 $b Delta Music
040    $a DLC $c DLC $d DLC
041 0  $g engfreger
050 10 $a TK7881.4
050 00 $a SDC 15376
245 00 $a Digital sound tracks $h [sound recording].
260    $a Frechen, W. Germany : $b Delta Music, $c 1987.
300    $a 2 sound discs (2 hrs.) : $b digital, stereo. ; $c 4 3/4 in.
306    $a 005953 $a 005954
500    $a Delta Music: 11050, 11078.
500    $a Compact discs.
500    $a Program notes ([8] p.) in German, English, and French.
520    $a Presents recordings of different sounds and sound effects for films, videos, slide shows, sound studios, trailers, jingles, radio plays, audiovision, laser shows, and multivision uses. Includes sounds of traffic, railroads, airports, industry, office, home, detective stories, nature, children, fireworks, war, action, work, music boxes, old records, laughter, and breathing.
650  0 $a Radio broadcasting $x Sound effects.
650  0 $a Television broadcasting $x Sound effects.
650  0 $a Theaters $x Sound effects.
650  0 $a Motion pictures $x Sound effects.
000 00925cim  2200241 a 4500
001    89753428
003 DLC
005<PHONE_NUMBER>4434.0
007 sdubsmennmplu
008 890712s1985    oncnnn         s
010    $a    89753428
028 02 $a DG 85010 $b Dan Gibson Productions
040    $a DLC $c DLC $d DLC
043    $a cc-----
050 10 $a QH109
050 00 $a Dan Gibson Productions DG 85010
245 00 $a Tradewind Islands $h [sound recording] : $b a Caribbean adventure in sound.
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b distributed in the U.S.A. by the Moss Music Group, $c p1985.
300    $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. ; $c 12 in.
440  0 $a Solitudes ; $v v. 10
520    $a Presents field recordings made in the Caribbean. Includes sounds of the surf, seabirds, and animals of the rain forest.
650  0 $a Nature sounds $z West Indies.
700 1  $a Gibson, Dan.
000 01015cim  2200277 a 4500
001    89755541
003 DLC
005<PHONE_NUMBER>2715.0
007 ssulunjlcnnnu
008 891128s1983    at nnn         s    eng
010    $a    89755541
028 02 $a PWP 206 $b Paul White Productions
033    $a 8960
040    $a DLC $c DLC $d DLC
043    $a u-at---
050 10 $a QL698.5
050 00 $a RYA 9646
100 1  $a White, Paul, $d 1910-1992.
245 10 $a Bells in the Australian bush $h [sound recording] / $c with commentary by Dr. Paul White.
260    $a Lindfield, N.S.W. : $b Paul White Productions, $c p1983.
300    $a 1 sound cassette : $b analog.
511 0  $a Recorded and narrated by Paul White.
520    $a Presents the sounds of birds from the Australian bush who possess a bell-like call. Includes narration which describes the birds on side one of the cassette. Side two contains uninterrupted bird songs.
650  0 $a Birdsongs $z Australia.
650  0 $a Birds $z Australia.
710 2  $a Paul White Productions.
000 01029cim  2200277 a 4500
001    89755554
003 DLC
005<PHONE_NUMBER>2743.0
007 ssulunjlcnnnu
008 891128s1980    at nnn         s    eng
010    $a    89755554
028 02 $a PWP 203 $b Paul White Productions
033    $a 8960
040    $a DLC $c DLC $d DLC
043    $a u-at---
050 10 $a QL698.5
050 00 $a RYA 9644
100 1  $a White, Paul, $d 1910-1992.
245 10 $a Australian birds with a sense of humour $h [sound recording] / $c with commentary by Dr. Paul White.
260    $a Lindfield, N.S.W. : $b Paul White Productions, $c p1980.
300    $a 1 sound cassette : $b analog.
511 0  $a Recorded and narrated by Paul White.
520    $a Presents recordings of Australian birds that have a sense of humor including the kookaburra, the lyre bird, the satin bower bird, and others. Includes bird song with narration and uninterrupted bird song.
650  0 $a Birdsongs $z Australia.
650  0 $a Birds $z Australia.
710 2  $a Paul White Productions.
000 01043cim  2200289 a 4500
001    89755555
003 DLC
005<PHONE_NUMBER>2232.0
007 ssulunjlcnnnu
008 891128s1978    at nnn         s    eng
010    $a    89755555
028 02 $a PWP 202 $b Paul White Productions
033    $b 8960
040    $a DLC $c DLC $d DLC
043    $a u-at---
050 10 $a QL696.P2495
050 00 $a RYA 9643
100 1  $a White, Paul, $d 1910-1992.
245 10 $a Lyre bird, master mimic and musician $h [sound recording] / $c Paul White and Neville Fenton.
260    $a Lindfield, N.S.W. : $b Paul White Productions, $c p1978.
300    $a 1 sound cassette : $b analog.
511 0  $a Recorded and narrated by Paul White and Neville Fenton.
520    $a Presents recordings of the lyre bird made in Queensland, New South Wales, and in Victoria, Australia. Includes bird song with commentary and description and also uninterrupted.
650  0 $a Lyrebirds.
650  0 $a Birdsongs $z Australia.
700 1  $a Fenton, Neville.
710 2  $a Paul White Productions.
000 01272cim  2200325 a 4500
001    89755726
003 DLC
005<PHONE_NUMBER>3256.0
007 sduzsnznnmlne
008 891204p19871959xxknnn   i     s    eng
010    $a    89755726
024 3  $a<PHONE_NUMBER>723
028 02 $a CD ATR 7037 $b ASV Transacord
033 0  $a 195904-- $a 196112-- $b 5740
033 2  $a 198210-- $b 8560
040    $a DLC $c DLC $d DLC
043    $a e-uk---
050 00 $a SDB 23443
050 10 $a TJ608
245 04 $a The Age of steam $h [sound recording].
260    $a London : $b ASV Transacord ; $a Orpington, Kent : $b Distributed by Pinnacle Records, $c p1987.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
440  0 $a Sounds of the steam age
518    $a Recorded in Great Britain between Apr. 1959 and Dec. 1961 and in Zimbabwe in Oct. 1982.
500    $a Compact disc.
500    $a Program notes ([12] p. : ill.) included in container.
520    $a Presents the sounds of steam locomotives at work on many different duties, by day and night, at various locations on British Railways. Includes a recording of a steam passenger train on the line to Victoria Falls in Zimbabwe.
650  0 $a Locomotive sounds.
650  0 $a Locomotives $z Great Britain.
610 20 $a British Rail (Firm)
000 01342cim  22002417a 4500
001    90740011
003 DLC
005<PHONE_NUMBER>5052.0
007 sdubumennmplu
008 900118s1966    xx nnn         s    eng
010    $a    90740011
028 02 $a 268-0a $b Master Artists Recordings
040    $a DLC $c DLC $d DLC
050 00 $a Master Artists Recordings 268-0a
245 00 $a Whistle echoes. $n Vol. 2 $h [sound recording].
260    $a Pittsburgh, Pa. : $b Master Artists Recordings, $c [1966]
300    $a 1 sound disc : $b analog, 33 1/3 rpm ; $c 12 in.
511 0  $a Narrators, Frederick Way, Jr., J. Mack Gamble ; introduction and commentary spoken by Paul Long.
520    $a Features actual sounds of vintage steamboat whistles heard on the Mississippi and Ohio Rivers. Also includes commentary, calliope music, and riverboat songs.
505 0  $a Champion Coal -- E.A. Woodruff -- Destrehan -- Catharine Davis -- General Asburn -- Aliquippa -- Allegheny -- Queen City -- Calliope: Beautiful Ohio ; Beautiful dreamer -- Omar -- Eugene Dana Smith -- Rambling river line -- Carrie Brown -- Titan -- Mary Jane -- Joe Cook -- Katie Stockdale -- Champion Coal -- Fairmont -- Belle of Louisville -- Delta Queen -- Rambling river line (chorus).
500    $a Minimal level cataloging.
700 1  $a Way, Frederick, $c Jr., $d 1901-1992.
700 1  $a Gamble, J. Mack.
000 01689cim  2200397 a 4500
001    91740127
003 DLC
005<PHONE_NUMBER>3843.0
007 sduzunznnmlne
008 910102s1990    maunnn   r     s    eng
010    $a    91740127
020    $a<PHONE_NUMBER> $c [ $] 25.00
024 1  $a<PHONE_NUMBER>570 $d 90000
028 02 $a 50257 $b Houghton Mifflin Co.
040    $a DLC $c DLC $d DLC
043    $a n------
050 10 $a QL681
050 00 $a SDA 88898
245 00 $a Eastern/Central bird songs $h [sound recording].
250    $a 3rd ed.
260    $a Boston : $b Houghton Mifflin Co., $c p1990.
300    $a 1 sound disc (74 min.) : $b digital ; $c 4 3/4 in. + $e 1 contents booklet ([16 p.]).
306    $a 011400
490 1  $a Peterson field guides
500    $a Additional title on booklet: A field guide to bird songs.
500    $a Sponsored by the National Audubon Society, the National Wildlife Association, and the Roger Tory Peterson Institute.
500    $a Produced by Cornell Laboratory of Ornithology & Interactive Audio ; narration, Dale Meyers ; editor, Roger Tory Peterson.
500    $a Arranged for use with: A field guide to the birds / text and ill. by Roger Tory Peterson. -- 4th ed.
520    $a Presents a collection of the songs and calls of 267 species of birds found in eastern and central North America.
650  0 $a Birdsongs $z North America.
700 1  $a Meyers, Dale $q (Dale Frederick)
700 1  $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds.
710 2  $a Cornell University. $b Laboratory of Ornithology.
710 2  $a Interactive Audio (Firm)
740 0  $a Field guide to bird songs.
830  0 $a Peterson field guide series (Sound recording)
000 01247cim  2200337 a 4500
001    91740383
003 DLC
005<PHONE_NUMBER>1024.0
007 sduzsnznnmlne
008 910513p19911986caunnn         s
010    $a    91740383
024 1  $a<PHONE_NUMBER>28
028 02 $a BCD 6286 $b Bainbridge Records
033 2  $a 19860901 $a 19860902 $b 3510
033 2  $a 19881021 $a 19881025 $b 3510
040    $a DLC $c DLC
043    $a n-cn---
050 10 $a TJ608
050 00 $a SDB 56534
245 00 $a Sounds of trains. $n Volume 3 $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge Records : $b Distributed by Bainbridge Entertainment Co., $c p1991.
300    $a 1 sound disc (57 min., 4 sec.) : $b digital, stereo. ; $c 4 3/4 in.
306    $a 005704
500    $a "A production of Mobile Fidelity Productions of Nevada."
518    $a Recorded Sept. 1-2, 1986 and Oct. 21-25, 1988 in British Columbia and Alberta.
500    $a Compact disc.
520    $a Features the sounds of three steam locomotives: no. 2860 and no. 3716 of the Canadian Pacific Railway Company and no. 6060 of Canadian National.
650  0 $a Locomotive sounds.
650  0 $a Locomotives $z Canada.
710 2  $a Canadian Pacific Railway Company.
710 2  $a Canadian National.
000 01551cim  2200277 a 4500
001    91740384
003 DLC
005<PHONE_NUMBER>3631.0
007 sduzsnznnmlne
008 910513s1991    caunnn         s
010    $a    91740384
024 1  $a<PHONE_NUMBER>27
028 02 $a BCD 6287 $b Bainbridge Records
040    $a DLC $c DLC
043    $a n-us---
050 10 $a TJ608
050 00 $a SDB 56535
245 00 $a Sounds of trains. $n Volume 4 $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge Records : $b Distributed by Bainbridge Entertainment Co., $c p1991.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a Compact disc.
500    $a "A production of Mobile Fidelity Productions of Nevada."
520    $a Features mixing of individual recordings of steam locomotives in combinations designed to simulate meets between trains.
505 0  $a Nos. 1522 & 1218 (special combo) (5:06) -- No. 1522 (Moselle, westbound) (3:58) -- No. 1522 (Rolla Hill, eastbound) (7:16) -- No. 1522 (pacing) (4:48) -- Nos. 844/1522 (Lake Jct.) (1:41) -- No. 1522 & nos. 844/1522 (combo) (5:26) -- Nos. 844/1522 (Webster Grove) (2:23) -- Nos. 844/1522 (Kirkwood) [A] (:39) -- Nos. 844/1522 (Kirkwood) [B] (5:08) -- Nos. 819 & 819 (Illmo/Dupo) (4:14) -- No. 3985 (LAAPI Archer Hill 8/1/90) (5:26) -- Nos. 3985 & 3985 (Ogalala meet) (3:57) -- Nos. 3985/844 & nos. 3985/3985 (special combo mix, doubleheaders meet) (4:04) -- No. 765 & no. 425 (New River and Leesport) (5:29).
650  0 $a Locomotive sounds.
650  0 $a Locomotives $z United States.
000 01671cim  2200361 a 4500
001    91740665
003 DLC
005<PHONE_NUMBER>2446.0
007 ssulunjlcnnnu
008 910820s1991    maunnn   r     s    eng
010    $a    91740665
020    $a<PHONE_NUMBER> (guide)
020    $c [ $] 19.95
040    $a DLC $c DLC $d DLC
043    $a n------
050 00 $a QL681
100 1  $a Walton, Richard K.
245 10 $a Backyard bird song $h [sound recording].
260    $a Boston : $b Houghton Mifflin, $c p1991.
300    $a 1 sound cassette : $b analog + $e 1 guide (32 p. : ill. ; 13 cm.).
490 1  $a Peterson field guides ; $v 43
511 0  $a Narrated by Dick Walton.
500    $a Written by Richard K. Walton and Robert W. Lawson ; edited by Roger Tory Peterson.
500    $a Sponsored by the National Audubon Society, the National Wildlife Federation, and the Roger Tory Peter Institute.
500    $a In container (17 cm.).
500    $a For use with: A field guide to the birds / text and ill. by Roger Tory Peterson.
520    $a Features twenty-eight common species of eastern and central North American bird songs, grouped primarily by the acoustic similarity of the birds. Includes the sounds of three mammals whose vocalizations may be confused with those of birds.
650  0 $a Birdsongs $z North America $x Identification.
650  0 $a Birds $z North America $x Identification.
700 1  $a Lawson, Robert W.
700 1  $a Peterson, Roger Tory, $d 1908-1996. $t Field guide to the birds.
830  0 $a Peterson field guide series (Sound recording) ; $v 43
856 42 $3 Contributor biographical information $u http://www.loc.gov/catdir/enhancements/fy0736/91740665-b.html
000 00968cim  2200289 a 4500
001    91740758
003 DLC
005<PHONE_NUMBER>4648.0
007 ssulunjlcnnnu
008 911010s1985    nyunnn         s
010    $a    91740758
040    $a DLC $c DLC $d DLC
050 10 $a SK341.C6
050 00 $a RYB 1970
245 00 $a Coon puppies $h [sound recording].
260    $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985.
300    $a 1 sound cassette : $b analog.
500    $a "Dennis Kirk"--Copyright statement on label.
500    $a "'Calls coon like a magnet,' The hottest coon sound ever recorded. Also calls fox."
520    $a Presents the vocalizations of young raccoons for the purpose of attracting raccoons and foxes.
650  0 $a Raccoon $x Vocalization.
650  0 $a Foxes $x Vocalization.
650  0 $a Animal calls.
650  0 $a Animal sounds.
650  0 $a Game calling (Hunting)
700 1  $a Kirk, Dennis.
710 2  $a Dennis Kirk Game Calls (Firm)
000 00987cim  2200301 a 4500
001    91740762
003 DLC
005<PHONE_NUMBER>4652.0
007 ssulunjlcnnnu
008 911010s1985    nyunnn         s
010    $a    91740762
040    $a DLC $c DLC $d DLC
050 10 $a SK341.C6
050 00 $a RYB 1974
245 00 $a Coon & grey fox fighting $h [sound recording].
260    $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985.
300    $a 1 sound cassette : $b analog.
500    $a "Dennis Kirk"--Copyright statement on label.
500    $a "Calls: Coon-Fox-Coyote."
520    $a Presents the vocalizations of raccoons and grey foxes fighting. Used to attract raccoons, foxes, and coyotes.
650  0 $a Raccoon $x Vocalization.
650  0 $a Gray fox $x Vocalization.
650  0 $a Animal fighting.
650  0 $a Animal sounds.
650  0 $a Game calling (Hunting)
700 1  $a Kirk, Dennis.
710 2  $a Dennis Kirk Game Calls (Firm)
740 0  $a Coon and grey fox fighting.
000 00882cim  2200277 a 4500
001    91740968
003 DLC
005<PHONE_NUMBER>3418.0
007 ss lunjlcnnnue
008 911105s1985    nyunnn         s
010    $a    91740968
040    $a DLC $c DLC $d DLC
050 10 $a SK285
050 00 $a RYB 2493
245 00 $a Hand squeals w/ fox growls $h [sound recording].
260    $a Cooperstown, NY : $b Dennis Kirk Game Calls, $c c1985.
300    $a 1 sound cassette : $b analog.
500    $a "Dennis Kirk"--Copyright on label.
500    $a "Excellent Call For Call-Shy Grey Fox."
520    $a Presents the sounds of hand squeals and fox growls. Used to attract grey foxes.
650  0 $a Gray fox $x Vocalization.
650  0 $a Animal calls.
650  0 $a Animal sounds.
700 1  $a Kirk, Dennis.
710 2  $a Dennis Kirk Game Calls (Firm)
740 0  $a Hand squeals with fox growls.
000 00804cim  2200253 a 4500
001    91741042
003 DLC
005<PHONE_NUMBER>4655.0
007 ssulunjlcnnnu
008 911211s1987    txunnn         s
010    $a    91741042
028 02 $a CT 104A $b Johnny Stewart
040    $a DLC $c DLC $d DLC
050 10 $a Sk341.C6
050 00 $a RYB 2398
245 00 $a Supercoons $h [sound recording] : $b the most effective coon calling sounds we ever recorded : calls primarily female coons.
260    $a Waco, Tex. : $b Johnny Stewart, $c p1987.
300    $a 1 sound cassette (1 hr.) : $b analog.
306    $a 010000
520    $a Presents raccoon vocalizations. Used to attract female raccoons.
650  0 $a Raccoon $x Vocalization.
650  0 $a Animal sounds.
650  0 $a Animal calls.
700 1  $a Stewart, Johnny.
000 01147cim  2200301 a 4500
001    91754863
003 DLC
005<PHONE_NUMBER>1547.0
007 sduzsnznnmlne
008 910711s1988    caunnn   z     s        d
010    $a    91754863
020    $c [ $] 11.06
024 1  $a<PHONE_NUMBER>21
028 02 $a BCD 6276 $b Bainbridge
035    $a (OCoLC)20696296
040    $a InFw $c DLC $d DLC
042    $a lccopycat
050 00 $a SDB 56531
245 00 $a Sonic booms $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge, $c p1988.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a Compact disc.
500    $a Notes in container.
505 0  $a Steam locomotives -- SR 71: RF 4c's -- Marine Corps FPF -- USAF F-16's -- USA Blackhawk UH 60 helicopters -- USA Blackhawk UH 60 helicopters #2 -- War birds -- Comic relief -- Comic relief too -- West Mountain Inn -- Railroad train whistle: thunder & rain -- Second train whistle: thunder & rain -- Third train whistle: thunder & rain -- Remarkable thunder & rain.
650  0 $a Railroad sounds.
650  0 $a Locomotive sounds.
650  0 $a Fighter plane sounds.
650  0 $a Sounds.
000 00804cim  2200253 a 4500
001    91754940
003 DLC
005<PHONE_NUMBER>0420.0
007 sduzsnznnmlne
008 910712s1990    caunnn         s        d
010    $a    91754940
024 1  $a<PHONE_NUMBER>29
028 02 $a BCD 6285 $b Bainbridge
035    $a (OCoLC)23201028
040    $a OClCo $c DLC $d DLC
042    $a lccopycat
050 00 $a SDB 56533
245 00 $a Sonic booms 2 $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge, $c p1990.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a Compact disc.
505 0  $a Fire department horns -- Steam locomotive no. 1218 -- Narrow gauge railroad -- Battle for the Delta Corridor -- Space shuttle Atlantis -- Fiesta Bowl.
650  0 $a Sounds.
740 0  $a Sonic booms two.
000 00989cim  2200241 a 4500
001    91754943
003 DLC
005<PHONE_NUMBER>4932.0
007 sduzsnznnmlne
008 910712s1987    caunnn         s        d
010    $a    91754943
020    $c [ $] 14.98
028 02 $a BCD 6270 $b Bainbridge Records
035    $a (OCoLC)21593487
040    $a ODa $c DLC $d DLC
042    $a lccopycat
050 00 $a SDB 56528
245 00 $a Sounds of trains. $n Volume 1 $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge Records, $c p1987.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a Compact disc.
505 0  $a No. 3985, pacing on Sherman Hill, WY -- No. 3985, MP545.9 -- No. 3985, Hermosa Tunnel -- Via Canada's FP 9's, Lake Louise -- No. 4449, Draper, California -- No. 4449, pacing/on-board Beaumont/Mojave -- No. 4449, Crescent Lake/Grass Lake -- C&TS nos. 484, 488, 489, Chama, NM -- Nos. 484/487 and no. 488, Cresco -- Nos. 489/484, Lobato.
650  0 $a Locomotive sounds.
000 00718cim  22002297a 4500
001    92765912
003 DLC
005<PHONE_NUMBER>5738.0
007 sduzsnznnmlne
008 920804s1991    xx nnn         s
010    $a    92765912
028 00 $a CDN14 $b Nature Recordings
040    $a DLC $c DLC
050 00 $a Nature Recordings CDN14
245 00 $a Ocean moods $h [sound recording] : $b rolling waves on sandy beaches.
260    $a [S.l.] : $b Nature Recordings, $c p1991.
300    $a 1 sound disc : $b digital ; $c 4 3/4 in.
511 0  $a Recorded by Richard Hooper.
505 0  $a Program 1 The Pacific -- Program 2 The Atlantic.
500    $a Brief record.
650  0 $a Nature sounds.
700 1  $a Hooper, Richard $c (Recordist) $4 prf
000 01224cim  2200253 a 4500
001    92767906
003 DLC
005<PHONE_NUMBER>5642.0
007 sduzsnznnmlne
008 920822s1987    caunnn         s        d
010    $a    92767906
028 02 $a BCD6271 $b Bainbridge Records
035    $a (OCoLC)25004986
040    $a OClCo $c DLC $d DLC
042    $a lccopycat
043    $a n-us---
050 00 $a SDB 56529
245 00 $a Sounds of trains. $n Volume 2 $h [sound recording].
260    $a Van Nuys, CA : $b Bainbridge Records, $c p1987.
300    $a 1 sound disc : $b digital, stereo. ; $c 4 3/4 in.
500    $a Compact disc.
505 0  $a No. 1218, Anniston, Alabama -- No. 1218, Iron City -- No. 1218, Glade Creek ; FP 7's, Monroe -- No. 611/No. 1218, Kettle Hollow -- No. 1218, Bluefield pacing -- No. 1218/611, Roanoke ; No. 4501, K'ville -- No. 611/No. 1218, Covesville, Virginia -- No. 4501, Jefferson City ; No. 611, MP 190 -- No. 4501, Newport, Tennessee pacing -- No. 152, Jefferson City, Tennessee -- No. 152, Knoxville ; FP 7's, Fairfield, VA -- No. 611/No. 1218 side by side -- No. 4501, Mascot, Tennessee -- No. 611, Spartanburg, SC ; FP 7's, Amherst.
650  0 $a Locomotive sounds.
650  0 $a Locomotives $z United States.
000 01156cim  2200301 a 4500
001    92788574
003 DLC
005<PHONE_NUMBER>0658.0
007 sd dmsdnnmslua
008 920603s1913    njunnn         ks   eng
010    $a    92788574
028 02 $a 17232-A $b Victor
040    $a DLC $c DLC
050 00 $a Victor 17232-A, DLC 0225/1687--1690
245 00 $a Laughs you have met $h [sound recording].
260    $a Camden, N.J. : $b Victor, $c [1913]
300    $a on side A of 1 sound disc : $b analog, 78 rpm, mono. ; $c 10 in.
500    $a Genre: Wit and humor ; Popular music.
500    $a "Laughing speciality."
511 0  $a Performed by [Will?] Evans, Moule, [Amy?] Augarde, Maurice Farkoa, and Burt Shepard.
500    $a Issue date in Victor catalog supplement: Feb. 1913.
500    $a Acoustic recording.
520    $a Presents a variety of laughs illustrated by five comedians. Features introductions in Irish dialect for each laughing segment and a song about laughs.
500    $a Sound quality: Very good.
500    $a With: Ticklish Reuben.
650  0 $a Laughter $v Songs and music.
700 1  $a Farkoa, Maurice, $d -1916.
700 1  $a Shepard, Burt.
000 01032cim  2200289 a 4500
001    93718540
003 DLC
005<PHONE_NUMBER>3314.0
007 sdubsmennmplu
008 930715s1983    oncnnn         s        d
010    $a    93718540
028 02 $a DG 83008 $b Dan Gibson Productions
035    $a (OCoLC)11615841
040    $a USl $c DLC $d DLC
042    $a lccopycat
050 00 $a Dan Gibson Productions DG 83008
245 00 $a Sailing to a hidden cove ; Hiking over the highlands $h [sound recording].
260    $a Toronto, Ont. : $b Dan Gibson Productions ; $a New York, N.Y. : $b Distributed in U.S.A. by the Moss Music Group, $c p1983.
300    $a 1 sound disc (60 min.) : $b analog, 33 1/3 rpm, stereo. ; $c 12 in.
306    $a 003000 $a 003000
440  0 $a Solitudes ; $v v. 8
500    $a "Composed of authentic natural sounds"--Container.
500    $a Recorded and produced by Dan Gibson.
650  0 $a Nature sounds.
700 1  $a Gibson, Dan, $d 1922-2006.
740 0  $a Sailing to a hidden cove.
740 0  $a Hiking over the highlands.
000 01126cim  22002417a 4500
001    93727598
003 DLC
005<PHONE_NUMBER>3408.0
007 sdubsmennmplu
008 931018s1961    nyunnn         s    eng
010    $a    93727598
028 00 $a BN 598 $b Epic
040    $a DLC $c DLC
050 00 $a Epic BN 598
245 00 $a Sounds/funny $h [sound recording].
260    $a [New York, N.Y.?] : $b Epic, $c [1961?]
300    $a 1 sound disc : $b analog, 33 1/3 rpm, stereo. ; $c 12 in.
511 0  $a Written and performed by Earle Doud.
505 0  $a The annoying kitten -- The big drink -- Kids and the swimming pool -- The fruit vendor -- The hilltop diner -- The lion tamer -- Sportscars fan -- Rubbing out a cheapskate -- Echo cavern -- The shower -- Mexican peddler -- The composer's phone call -- Spectacular ping pong -- Bad table manners -- Indian and the smoke signal -- The final showdown -- The great discovery -- The time piece -- Persistent bread vendor -- The rocket launching -- Children's concert.
500    $a Brief record.
650  0 $a Comedy sketches.
650  0 $a American wit and humor.
700 1  $a Doud, Earle. $4 prf
000 00704cim  22002297a 4500
001    93850695
003 DLC
005<PHONE_NUMBER>3253.0
007 ssulsnjlcnnnuu
008 940113s1987    caunnn         s
010    $a    93850695
035    $a (OCoLC)29622321
040    $a DLC $c DLC
050 00 $a RYB 4902
245 00 $a Playhouse on the beach $h [sound recording] : $b A dream child adventure in relaxation.
260    $a Balboa Island, CA : $b Inner Health, $c p1987.
300    $a 1 sound cassette : $b analog, stereo.
511 0  $a Performed by Tom Jackson.
500    $a Brief record.
650  0 $a Nature sounds.
700 1  $a Jackson, Tom $c (Psychiatrist) $4 prf
740 0  $a Dream child adventure in relaxation.
000 00623cim  22002177a 4500
001    93850697
003 DLC
005<PHONE_NUMBER>3153.0
007 ssulsnjlcnnnuu
008 940113s1987    caunnn         s
010    $a    93850697
035    $a (OCoLC)29622316
040    $a DLC $c DLC
050 00 $a RYB 4903
245 00 $a Living stream and birds $h [sound recording].
260    $a Balboa Island, CA : $b Living Sound Productions, $c p1987.
300    $a 1 sound cassette : $b analog, stereo.
511 0  $a Performed by Tom Jackson.
500    $a Brief record.
650  0 $a Nature sounds.
700 1  $a Jackson, Tom $c (Psychiatrist) $4 prf
000 00656cim  22002297a 4500
001    93850698
003 DLC
005<PHONE_NUMBER>3221.0
007 ssulunjlcnnnuu
008 940113s1987    caunnn         s
010    $a    93850698
035    $a (OCoLC)29622318
040    $a DLC $c DLC
050 00 $a RYB 4904
245 00 $a Living sound effects $h [sound recording].
260    $a Balboa Island, CA : $b Inner Health, $c p1987.
300    $a 1 sound cassette : $b analog.
511 0  $a Performed by Tom Jackson.
505 0  $a 3-D sound effects -- 3-D nature sounds.
500    $a Brief record.
650  0 $a Nature sounds.
700 1  $a Jackson, Tom $c (Psychiatrist) $4 prf
000 01591cim  2200277 a 4500
001    94746251
003 DLC
005<PHONE_NUMBER>2542.0
007 sdubumennmpluu
008 900914s1990    flunnn   i     s    eng d
010    $a    94746251
028 02 $a PEP 10-1 $b 50,000,000,000,000,000,000,000 Watts
035    $a (OCoLC)22377037
040    $a OBgU $c OBgU $d OCoLC $d DLC
042    $a lccopycat
050 00 $a 50,000,000,000,000,000,000,000 Watts PEP 10-1
100 1  $a Milstein, Phil. $4 prf
245 10 $a Tapeworm $h [sound recording] : $b SFX by Phil Milstein.
260    $a Stuart, Fla. : $b 50,000,000,000,000,000,000,000 Watts, $c p1990.
300    $a 1 sound disc (37 min.) : $b analog, 33 1/3 rpm ; $c 12 in.
306    $a 003700
500    $a Subtitle from container.
500    $a "Phil Milstein was the tape effects specialist for Uzi, a great Boston band of the mid-1980's.  Many of the tapes he mixed into Uzi's music, however, were also intended to stand on their own, outside the context of the songs.  This album is a swirling montage of the best of those tapes-- ."
500    $a Descriptive notes by Milstein ([4] p. ; illus.) inserted.
505 0  $a Hi Joe -- Feed me! -- Summer camp -- The killer (Jerry Lee) -- Suction -- Life cycle -- Horror movie -- Fireball -- Scream! -- Telephone symphony -- Stradivarious -- Garbled vocal noises -- Unrelated segments -- Trains, "sitar" -- Dogfight -- Lum 'n' Abner -- Medley -- Hey, hold it! bailiff -- Dressed in black -- Frogs -- Opera -- Phone mess. -- Windchimes -- Laryngectomy -- Party noises -- Outer space -- Bloody noise.
650  0 $a Sounds.
000 01338cim  2200337 a 4500
001    94766215
003 DLC
005<PHONE_NUMBER>1804.0
007 sd fungnnmmned
008 941012s1994    caunnn|        s  | eng d
010    $a    94766215
020    $a<PHONE_NUMBER>
024 1  $a<PHONE_NUMBER>21
028 02 $a R2 71776 $b Rhino
035    $a (OCoLC)31265907
040    $a IHS $c IHS $d DLC
042    $a lccopycat
050 00 $a SDD 01432
245 00 $a Scary sound effects $h [sound recording] : $b nightmarish noise for Halloween / $c [all written material & music by Robert C. Wayne].
246 30 $a Nightmarish noise for Halloween
260    $a Los Angeles, CA : $b Rhino Records, $c p1994.
300    $a 1 sound disc : $b digital ; $c 4 3/4 in.
511 0  $a Gary Hoffman, theremin ; various performers.
500    $a "For promotional use only"--Stamp on insert. $5 DLC
500    $a Compact disc.
520    $a Contains 41 spooky snippets of greetings sure to scare trick-or-treaters. Includes spells from an evil witch, visits to graveyards, bat caves, haunted mansions, and visits from little green men.
505 0  $a Front door greetings -- Witchcraft -- Graveyard at night -- A visit to the bat caves -- The Martians are coming -- Scary music.
650  0 $a Halloween.
650  0 $a Sounds.
650  0 $a Theremin music.
700 1  $a Wayne, Robert C.
000 00921cim  2200301 a 4500
001    94768196
003 DLC
005<PHONE_NUMBER>4114.0
007 sduzunznnmmneu
008 940711s1993    caunnn         s        d
010    $a    94768196
020    $c [ $] 12.95
024 1  $a<PHONE_NUMBER>24
028 02 $a BCD-6242 $b Bainbridge
035    $a (OCoLC)30741206
040    $a ODa $c ODa $d DLC
042    $a lccopycat
050 00 $a SDB 56527
245 00 $a Sunday only $h [sound recording] : $b steam railroading under thundering skies / $c recorded and produced by Brad Miller.
260    $a Van Nuys, CA : $b Bainbridge, $c p1993.
300    $a 1 sound disc : $b digital ; $c 4 3/4 in.
500    $a Compact disc.
511 0  $a Sound engineers: Brad Miller, Stuart Plummer.
650  0 $a Steam-engines $x Sounds.
650  0 $a Nature sounds.
650  0 $a Sounds.
700 1  $a Miller, Brad S.
740 0  $a Steam railroading under thundering skies.
000 00809cim  22002537a 4500
001    94768558
003 DLC
005<PHONE_NUMBER>5830.0
007 sduzunznnmlneu
008 941230s1993    waunnn         s    eng
010    $a    94768558
028 00 $a CDN19 $b World Disc
035    $a (OCoLC)31751670
040    $a DLC $c DLC
050 00 $a World Disc CDN19
245 04 $a The waters of Yellowstone $h [sound recording].
260    $a Friday Harbor, Wash. : $b World Disc, $c p1993.
300    $a 1 sound disc : $b digital ; $c 4 3/4 in.
440  0 $a Nature recordings reference series
511 0  $a Richard Hooper, recordist.
505 0  $a Geysers and mud pots of Yellowstone -- Vision quest: music and sounds of the wilderness.
500    $a Brief record.
650  0 $a Nature sounds.
700 1  $a Hooper, Richard $c (Recordist)
000 02145cim  2200349 a 4500
001    94772464
003 DLC
005<PHONE_NUMBER>0316.0
007 sdubsmennmplue
008 941213s1963    bl nnn         s
010    $a    94772464
028 02 $a COELP-40375 $b Copacabana
033    $b 5202
035    $a (OCoLC)31684605
040    $a DLC $c DLC $d DLC
043    $a sa-----
050 00 $a Copacabana COELP-40375
245 00 $a Vozes da Amazãonia $h [sound recording] : $b com o lendâario canto do uirapuru / $c gravadas por Johan Dalgas Frisch.
260    $a S. Paulo : $b Copacabana, $c p1963.
300    $a 1 sound disc : $b analog, 33 1/3 rpm ; $c 12 in.
500    $a Narration on record in Portuguese; notes on container in Portuguese and English.
511 0  $a Oswaldo Calfat, narration.
520    $a Presents bird songs and animal sounds recorded by Johan Dalgas Frisch as he follows the path of the Spanish pioneer explorer Don  Francisco de Orellana who in 1542 made a journey along the banks of the Amazon River. Designed to let the listener hear the sounds that Orellana must have heard on his journey.
505 0  $a Sabiâa verdadeiro -- Queixada, Porco do mato -- Ariranha -- Arara azul e amarela -- Uiru-tutâu -- Sabiâa poliglota -- Uirâa-troväao -- Pâassaro Boi -- Rouxinol -- Tempera viola -- Queda de uma âarvore -- Fri-friâo -- Rouxinol do Rio Negro -- Galo do mato -- Quando serâa, vai parar -- Papagaio Moleiro -- Japiim -- Inhanbâu-pâeua -- Udâu -- Picapau de topete vermelho -- Macaco prego -- Tiros de canhäao -- Guaribas, bugios, macacos -- Grilos -- Urâu -- Bacurâau -- Räa Maracâa -- Räa Canuarâu -- Uirapurâu verdadeiro -- Japacanim -- Gaviäao Pinhâe -- Gaviäao Preto -- Gaviäao Belo -- Pombas -- Anâu branco --Tesoura Saracuras (em fundo) -- Uirapurâu verdadeiro.
650  0 $a Birdsongs $z Brazil.
650  0 $a Birdsongs $z Amazon River Region.
650  0 $a Animal sounds $z Amazon River Region.
651  0 $a Amazon River Region $x Discovery and exploration.
600 10 $a Orellana, Francisco de, $d -approximately 1546.
700 1  $a Frisch, Johan Dalgas.
700 1  $a Calfat, Oswaldo. $4 nrt
740 0  $a Voices of the Amazon.
000 01037cim  2200337 a 4500
0

Wow, thank you for the explanation of the aggregates side of things and for all of these examples, Deborah! That makes things much clearer. I feel like I need a crash course in music cataloging!

Yes, s is for things like recordings of bird sounds, or the noise recorded of a city, or machine noises. But I suppose it could be something like the recording of someone snoring, lol
Cate

From: Crystal Yragui (Clements) @.>
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Cc: Cate Gerhart @.>; Mention @.>
Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
Ah, so then "sound" would be spoken non-word sounds? That makes a bit more sense. So we can map these to "has category of work"?
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Hi @CatalogerCate , we came up with another question for you while working on the 008 mapping for music. If a duration is recorded as "unknown", is that useful information to map and retain? We haven't generally been making statements when a value is not known, but wanted to check in with you to see whether we ought to make an exception here. Would you retain and map this information to RDA? @AdamSchiff @GordonDunsire

In other words, is there a benefit to users to provide a note that says that the duration is not known?
Adam
Adam L. Schiff
Principal Cataloger
University of Washington Libraries
(206) 543-8409
@.***

From: Crystal Yragui (Clements) @.>
Sent: Wednesday, September 20, 2023 9:32 AM
To: uwlib-cams/MARC2RDA @.>
Cc: Adam L Schiff @.>; Mention @.>
Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
Hi @CatalogerCatehttps://urldefense.com/v3/__https://github.com/CatalogerCate__;!!K-Hz7m0Vt54!g6m9v3UWEQJncWbwARWkENYOEmYCiqujgobSy1eWxcxdo8-kFQK2TVjyGIbbMhVlJ9qTjEnHqi2vadLWS1YEtY0$ , we came up with another question for you while working on the 008 mapping for music. If a duration is recorded as "unknown", is that useful information to map and retain? We haven't generally been making statements when a value is not known, but wanted to check in with you to see whether we ought to make an exception here. Would you retain and map this information to RDA? @AdamSchiffhttps://urldefense.com/v3/__https://github.com/AdamSchiff__;!!K-Hz7m0Vt54!g6m9v3UWEQJncWbwARWkENYOEmYCiqujgobSy1eWxcxdo8-kFQK2TVjyGIbbMhVlJ9qTjEnHqi2vadLWDR9zBp8$ @GordonDunsirehttps://urldefense.com/v3/__https://github.com/GordonDunsire__;!!K-Hz7m0Vt54!g6m9v3UWEQJncWbwARWkENYOEmYCiqujgobSy1eWxcxdo8-kFQK2TVjyGIbbMhVlJ9qTjEnHqi2vadLWFnSsevM$
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Finished group meeting review on 2023-10-11. Discuss at next week's meeting whether we need an additional consistency check done before transform, or whether writing the transform will serve the same purpose.

Hi @CECSpecialistI .  In course of working on the special mappings for records with 533 tags, I came across some questions about 008 mappings (am almost done with that part).  Here they are:
Why do we even have a line ("not mapped") for an obsolete value of 008 position 6 value of "c"?  When we have another mapping for "c", the mapping Continuing resource currently published" should be applied, unless (condition?)  If an old record had "actual date and copyright date" intended, would the value of Date 2 (positions 11-14) being something other than 9999 be a condition?
First and second lines of 008 position 7-10 and 11-14 with position 6 value "d".  Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication?  Should we set up conditions and follow PCC policy statements in Date of Manifestation RDA Section so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?
Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear.  There's an asterisk in an unlabeled condition column.  Is something missing?

@SitaKB @CECSpecialistI Here are the questions about 008 mappings I came across so far.  Hope this makes sense - there seems to be no way to refer to a specific spreadsheet row - I could give current row numbers but they could change in future :-).

First and second lines of 008 position 7-10 and 11-14 with position 6 value "d".  Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication?  Should we set up conditions and follow PCC policy statements so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?
Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear.  There's an asterisk in a condition column.  Is something missing?
008 position 7-10 and 11-14 with position 6 value "i" (Inclusive dates of collection). Why are there two mappings to [http://rdaregistry.info/Elements/m/P30278] "has date of manifestation" - shouldn't this be a date range?  (it's not narrowed to the "date1" or "date2" mapping... the transformation notes are "/[date] | u=blank" and "[date]/ | u=blank" so it looks like maybe you intended to map the begin and end dates of the range as separate properties? Don't understand syntax nor meaning of asterisk in condition column.  Don't see any condition for the third mapping to note on manifestation "Dates of collection unknown.".
Same as last question for position 6 value "m"
If position 6 has value "p" (Date of distribution/release/issue and production/recording session when different), shouldn't the two dates be mapped separately?  As "Date of production" and "Date of publication" (or Date of distribution...?) This does not appear in the mapping; only the first date is mapped.
For position 6 value "r" (reprint/reissue date and original date), this is a multiple date but I am taking it that these dates describe the "original" that was reproduced by the thing described by the record (if there's a 533 present) -- if that was itself a reproduction.  It appears we only map the first date and I can understand.  Hopefully there would be a note describing the reprint's "original date".  The first line lacks a transform note.
For position 6 value "t" (Publication date and copyright date), only the first date is mapped.  I'm just wondering why no attempt to map 11-13 to manifestation Copyright Date [http://rdaregistry.info/Elements/m/P30007] was made.  It looks like it is mapped to a note on manifestation though.
For position 6 value "u" (Continuing resource status unknown), there's a line mapping positions 11-14 that is marked "delete".  This is puzzling, with the justification for mapping (or in this case not mapping) being "Included in conditions for Date 1, Date 2".  But the "u" mapping is only for Date1.  Shouldn't that mapping be consistent with the mapping for pos. 6 "c" and "d"?

@CECSpecialistI @SitaKB @cspayne  61 of the lines in 008 mapping reference URLs at site marc21rdf.info .  I followed one and got a dnserrorassist.att.net error message that the site did not exist or was not available.  Examples :  008 lines 233 and 234.
Lines 224-233 are other Government Publication code "Has category of manifestation" mappings to IRIs which are not specified in the Transformation Notes, maybe the intention was to map them using marc21rdf.info site IRIs (or IRIs from some other source?)  but they didn't get filled in.  Just wanted to alert you.
Apparently this domain housed an early attempt to serialize MARC as linked data by OCLC research as mentioned in this blog post from Jeff Mixter and Jeff Young: https://hangingtogether.org/how-marc-can-sparql/ .  Probably OCLC has stopped supporting it.  They have been dropping things lately (e.g., the VIAF supplementary "links" data which contained the wikidata links, which is upsetting some people)..

By the way, the URLs begin with http, e.g. http://marc21rdf.info/terms/commonfor%23r .  They aren't all for Government Publications either - some are used for Form of Item, some MAPS properties, etc.  id.loc.gov now has a vocabulary for Goverment Publication Type but not sure about the others.

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

Yes, I think that's what the intention has been for these vocabularies!

@Sitakb, @CECSpecialistI   I am not interested in this fixed field for reproductions because all the other values are expression properties so this is likely to be too, but I noticed it didn't have a property entered and the object says "IRI" but doesn't specify how to get one.

reviewed | 008 | FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION (NR) |   |   |   |   |   |   | MAPS | 24 | Prime meridian [OBSOLETE] |   |   | # | Prime meridian not specified |   |   |   |   |   |   |   |   | IRI |   |   |   | From RDA to MARC mapping: rdae:P20216 rdakit:hasM21 "MARC 21 Bibliographic 008 /23-24 [identifier] (maps)" . |   |
-- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | -- | --

Please note - before this mapping is ready for transform, the rows that get Rreproduction Conditions checked need to have that information added.  Let @dchen077 know when the mappings are otherwise reviewed so she can add the condition information.

We should replace these with the 008 vocabularies we've published. We have a student starting in a couple of weeks who should be able to spend some of her time finishing up where David left off here. What do you think about this solution, @cspayne ?

Do we have plans to replace all of the vocabularies currently in the transformation notes in 008? For example, I'm looking at 008 BOOKS 18-21 and the values are currently mapped to RDA vocabulary terms, but we have minted IRIs for each of these values as part of UW libraries' semantic web data. Will these be used instead?

My understanding (and clarification from Crystal a couple days ago) is to replace everything with our own except for the RDA vocabulary terms, though I am not sure about any future plans.

I agree. We discussed this and concluded that we would not, in general, 'fix' the data from LC codes to RDA codes unless they were invalid. So we take what is in the M21 record and assign the appropriate IRI (from UW or RDA Registry). With a few known exceptions, noted in the Registry mappings and our own mappings, there is a one-to-one correspondence between the LC and RDA/UW IRIs, so they can comfortably interoperate in semantic linked data applications.

@SitaKB @CECSpecialistI Here are the questions about 008 mappings I came across so far. Hope this makes sense - there seems to be no way to refer to a specific spreadsheet row - I could give current row numbers but they could change in future :-).
* First and second lines of 008 position 7-10 and 11-14 with position 6 value "d".  Why are there separate mappings for first and last date of a diachronic continuing resource that ceased publication?  Should we set up conditions and follow PCC policy statements so that if there is a date range, the structure is date1 - date2 in a single date of manifestation structured statement?

* Third line for 008 position 7-10 and 11-14 with position 6 value "d" - the logic by which a note on manifestation "value = "Ceased publication. Publication start and end dates unknown." is created isn't clear.  There's an asterisk in a condition column.  Is something missing?

* 008 position 7-10 and 11-14 with position 6 value "i" (Inclusive dates of collection). Why are there two mappings to [http://rdaregistry.info/Elements/m/P30278] "has date of manifestation" - shouldn't this be a date range?  (it's not narrowed to the "date1" or "date2" mapping... the transformation notes are "/[date] | u=blank" and "[date]/ | u=blank" so it looks like maybe you intended to map the begin and end dates of the range as separate properties? Don't understand syntax nor meaning of asterisk in condition column.  Don't see any condition for the third mapping to note on manifestation "Dates of collection unknown.".

* Same as last question for position 6 value "m"

* If position 6 has value "p" (Date of distribution/release/issue and production/recording session when different), shouldn't the two dates be mapped separately?  As "Date of production" and "Date of publication" (or Date of distribution...?) This does not appear in the mapping; only the first date is mapped.

* For position 6 value "r" (reprint/reissue date and original date), this is a multiple date but I am taking it that these dates describe the "original" that was reproduced by the thing described by the record (if there's a 533 present) -- if that was itself a reproduction.  It appears we only map the first date and I can understand.  Hopefully there would be a note describing the reprint's "original date".  The first line lacks a transform note.

* For position 6 value "t" (Publication date and copyright date), only the first date is mapped.  I'm just wondering why no attempt to map 11-13 to manifestation Copyright Date [http://rdaregistry.info/Elements/m/P30007] was made.  It looks like it is mapped to a note on manifestation though.

* For position 6 value "u" (Continuing resource status unknown), there's a line mapping positions 11-14 that is marked "delete".  This is puzzling, with the justification for mapping (or in this case not mapping) being "Included in conditions for Date 1, Date 2".  But the "u" mapping is only for Date1.  Shouldn't that mapping be consistent with the mapping for pos. 6 "c" and "d"?

Did these questions ever get answered?

@cspayne to best of my knowledge these haven't been answered.  I hope the questions are clear - I've pretty much forgotten about it and I'm not the person to answer.   Some may be my ignorance of the condition logic of asterisk.  Maybe you and your team can figure them out, or present them at a project meeting?

"The mappings on lines 924 (MUSIC) and  753 (MIXED MATERIALS) are the only 2 Form of Item “I” codes for Multimedia [OBSOLETE]  that map to expression property https://rdaregistry.info/Elements/e/#P20001 “has content type”.
Line 753 (MIXED MATERIALS) also maps Form of item “I”  to http://rdaregistry.info/Elements/m/P30002 “has media type”.
Line 428 (CONTINUING RESOURCES) and Line 184 (BOOKS) map Form of Item “I” to http://rdaregistry.info/Elements/m/P30001 “has carrier type.” Should they all map to manifestation for consistency?"
Added this remaining question from our email chain in case we need to present them at a project meeting or resolve asynchronously.

My understanding (and clarification from Crystal a couple days ago) is to replace everything with our own except for the RDA vocabulary terms, though I am not sure about any future plans.

I agree. We discussed this and concluded that we would not, in general, 'fix' the data from LC codes to RDA codes unless they were invalid. So we take what is in the M21 record and assign the appropriate IRI (from UW or RDA Registry). With a few known exceptions, noted in the Registry mappings and our own mappings, there is a one-to-one correspondence between the LC and RDA/UW IRIs, so they can comfortably interoperate in semantic linked data applications.

Sounds good! I'm seeing 'reviewed' rows that map to an IRI but do not have any value to use in the transformation notes. Are these just yet to be filled in? Can I assume they map to the matching vocabulary IRIs that we have created?

BOOKS

Row 179 – 180 - Row 180 appears to be a repeat of line 179 which is the mapping for BOOKS 008/23 = f. This maps to "has carrier type" here but doesn't have what the value of the property should be in the transformation note. What should the value be here?
Row 197, 206, 212 + -  For 008/24-27 transformation notes for b, k, and q that says "Includes [value]", I'm assuming this means "Includes bibliographies." and not "Includes b." etc. Is that correct?

CONT

Row 401 – 412 - Why is form of original item CONT 008/22 not mapped to original manifestation when reproduction conditions are present?
Row 490 - Was CONT 008/25-27 = x ever used? There is a mapping for it (obsolete) but I could not find this in the "Content Designator History" section of the MARC documentation

MAPS

Row 695 – The mapping for 008/31 = 1 "Index present" maps to “has supplementary content” here. For BOOKS (Row 243) it maps to a note on manifestation. Is this purposeful or should we be consistent?
Row 710 - Why is 008/33-34 = e "manuscript" a string value and not https://doi.org/10.6069/uwlswd.rw25-p125#e? All other values for 008/33-34 have an IRI used.

CONT
2. **Row 490** - Was CONT 008/25-27 = x ever used? There is a mapping for it (obsolete) but I could not find this in the ["Content Designator History" section of the MARC documentation](https://www.loc.gov/marc/bibliographic/bd008s.html)

For BK (language material), positions 25-27 are not obsolete; 008/24-27 (4 positions) are used for Nature of contents.
For CR (continuing resources, positions 25-27 are used for Nature of contents
See this OCLC table "Format-Specific 008 and 006 elements" for additional info about the 008 (and 006) positions:
https://www.oclc.org/bibformats/en/fixedfield.html

https://github.com/uwlib-cams/MARC2RDA/issues/50#issuecomment-2368536008

MAPS

Row 695 – The mapping for 008/31 = 1 "Index present" maps to “has supplementary content” here. For BOOKS (Row 243) it maps to a note on manifestation. Is this purposeful or should we be consistent?

You are correct, we should be consistent--any Index coding in the 008 or 006 should map to "has supplementary content".
The following should also map to "has supplementary content" wherever found:

Accompanying Matter (MU 008/24-29; 006/07-12)
Illustrations (BK 008/18-21; 006/01-04)
Nature of contents (CR 008/18-21; 006/01-04)--special instructions for continuing resources

For BOOKS when form of item = z "Other form of reproduction [OBSOLETE]", it is mapped to "has carrier type", but for MIXED MATERIALS and MUSIC it maps to "has category of manifestation". Is this purposeful or should they all map to "has category of manifestation" for consistency?

OTHER and UNKNOWN values in the mappings - do we want to keep these?

CONTINUING RESOURCES 008/18 "frequency" = # "no determinable frequency"
CONTINUING RESOURCES 008/18 "frequency" = u "unknown"
CONTINUING RESOURCES 008/18 "frequency" = z "other"
MAPS 008/18-21 "Relief" = # "no relief shown"
MAPS 008/22-23 "Projection = zz "other"
MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian note specified"
MUSIC 008/20 "Format of music" = z "Other"
VISUAL MATERIALS 008/34 "Technique" = z "Other" (I believe we want to keep this, but it currently maps to "has nature of content" twice, with an IRI and then an unstructured description. Do we want both mappings?)

VISUAL MATERIALS 008/23-27 "Accompanying matter [OBSOLETE]" is mapped, but we do not have a vocabulary for these terms. Do we need to mint these? Or are we using string values?

COMPUTER FILES and VISUAL MATERIALS 008/22 "target audience" map to both "intended audience of expression" and "intended audience of manifestation". On Dec 7, 2022 the meeting notes indicate that we are favoring "intended audience of expression" and all of the "intended audience of manifestation" mappings should be marked delete. I will mark these as delete and remove them from the transformation unless this was purposefully kept for these specific formats.

MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian not specified".
In the meeting today (2024-10-02), we discussed mapping this as "has note on expression". However, because this character position is obsolete, this means that every record after 1997, when this was marked obsolete, will have this value. Do we want "prime meridian not specified" as a note in all of these records?

Oh!  I guess not!
Adam L. Schiff
Principal Cataloger
University of Washington Libraries
(206) 543-8409
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Subject: Re: [uwlib-cams/MARC2RDA] 008 Fixed-length data elements general information (Issue #50)
MAPS 008/24 "Prime meridian [OBSOLETE]" = # "prime meridian not specified".
In the meeting today (2024-10-02), we discussed mapping this as "has note on expression". However, because this character position is obsolete, this means that every record after 1997, when this was marked obsolete, will have this value. Do we want "prime meridian not specified" as a note in all of these records?
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lol, oops. Yeah we should ignore these instead of recording the "prime meridian not specified" note. Nice catch @cspayne

@lake44me @dchen077
Also, some of the VISUAL MATERIALS 008/33 "type of visual material" rows have "check for reproduction conditions" in the conditions, but no transformation note indicating these should be applied to the original manifestation. Are these mapped to the reproduction or original manifestation?

I have added transformation notes for all of them. But in general, if it is form of item it should map to original and if it is not it's mapped to reproduction manifestation.

@CECSpecialistI Form of Item "r" is a valid code describing the reproduction for records that meet the reproduction conditions (presence of 533) for Photocopy/Print on Demand reproductions https://www.loc.gov/aba/rda/mgd/mg-reproductionsPhotocopies.pdf .  We are not getting specific about the content of the 533 here (let's see whether we need to when we get some output)) but it specifies that $a contains only "Print reproduction".
If a record meets one of the Reproduction Conditions but "Form of Item" contains a code that isn't specified in the PCC instructions (all of which are clearly intended to describe the reproduction rather than the original), then we are taking the approach that these are cloning mistakes, and therefore must apply to the original.   "x" and "z" fall into that category.   The transformation logic makes use of this generally (i.e. doesn't apply specifically to the code on that line).  Note != means not equal to.
"If a Reproduction condition is present, AND if value != a, b, c, o, or r, apply mapping and transformation to OriginalM, not ReproM. - LA, DC 2024-09-12"
Does this make sense?

@CECSpecialistI Form of Item "r" is a valid code describing the reproduction for records that meet the reproduction conditions (presence of 533) for Photocopy/Print on Demand reproductions https://www.loc.gov/aba/rda/mgd/mg-reproductionsPhotocopies.pdf . We are not getting specific about the content of the 533 here (let's see whether we need to when we get some output)) but it specifies that $a contains only "Print reproduction".
If a record meets one of the Reproduction Conditions but "Form of Item" contains a code that isn't specified in the PCC instructions (all of which are clearly intended to describe the reproduction rather than the original), then we are taking the approach that these are cloning mistakes, and therefore must apply to the original. "x" and "z" fall into that category. The transformation logic makes use of this generally (i.e. doesn't apply specifically to the code on that line). Note != means not equal to.
"If a Reproduction condition is present, AND if value != a, b, c, o, or r, apply mapping and transformation to OriginalM, not ReproM. - LA, DC 2024-09-12"
Does this make sense?

Yes this makes sense! Thank you.

Hi @SitaKB Thank you for your answers to all of my questions.
I am still unclear on which dates I should code and which are only applicable to aggregates. Are 008/06 = i or k (inclusive dates of collection and range of years of bulk of collection) only for aggregate works?

"The mappings on lines 924 (MUSIC) and  753 (MIXED MATERIALS) are the only 2 Form of Item “i” codes for Multimedia [OBSOLETE] that map to expression property https://rdaregistry.info/Elements/e/#P20001 "has content type”.  Line 753 (MIXED MATERIALS) also maps Form of item “i”  to http://rdaregistry.info/Elements/m/P30002 "has media type”.    Line 428 (CONTINUING RESOURCES) and Line 184 (BOOKS) map Form of Item “i” to http://rdaregistry.info/Elements/m/P30001 "has carrier type.” Should they all map to manifestation for consistency?"

@SitaKB I think this is the only other outstanding question

Hi @SitaKB Thank you for your answers to all of my questions.
I am still unclear on which dates I should code and which are only applicable to aggregates. Are 008/06 = i or k (inclusive dates of collection and range of years of bulk of collection) only for aggregate works?

The 008/06 = i or k (inclusive dates of collection and range of years of bulk of collection) are only appropriate for Collection works (not Collection aggregate manifestations). Collection works (and Diachronic works) are also being 'pulled' for Phase I (in addition to Collection aggregates). So, these transforming these codes could wait until Phase II (unless transformation instructions are already available and correct) in which case you could just go ahead and do them.

Hi @SitaKB, I am still confused about the dates 1 and 2 mappings. It appears that the mappings account for a value in date 1 or a value in date 2 or when both are blank, but I am not seeing a row for when there is a value in date 1 and date 2. I am also unclear on what the transformation notes mean, such as "[date1..date2] | u=blank | partial blank = fill in blanks as X" and "[date]/.. | u=blank"
It is not clear to me what the date value should look like in RDA. Are you able to go through and clarify the mappings and transformation notes for these dates?

Hi @CECSpecialistI, @GordonDunsire , and @szapoun
I took a look at meeting notes and found some about the 008 dates from November 23, 2022. Do you happen to remember why 008/06 = 'm' does not have a mapping for when both date1 and date2 are present?

@cspayne: I don't recall the discussion. I note that the code 'm' means two different things: dates of a diachronic manifestation, and date range of manufacture of a produced manifestation (artisanal, etc.). We are excluding diachronic manifestations, etc. from phase 1, so only the date range of manufacture is of interest, but that only makes sense if both dates have values; that is, if it is a valid date-based timespan. If either date is 'missing', the value is not a valid timespan; instead, it is an 'encyclopedic' statement: we know this took more than a year to paint before it first appeared in an exhibition, but we don't know how long.
If there is a separate condition for determining if the manifestation is produced (rather than published), then I think it is ok to output a concatenation of dates as 'date of production', but it is not ok when either date is blank or blanked.

@SitaKB volunteered to add this mapping during meeting 2024-11-13

@cspayne I have added 008/06 =m when both date1 and date2 are present.

@SitaKB @cspayne  If it's the line I think it is (currently 31), should the uncategorized note "edtf for time interval with unknown start " be changed to something else (maybe just edtf for time interval")?
Minor niggling point - I was just checking that the reproduction condition was there (thank you Sita).

@lake44me You are right Laura. I didn't read the sentence properly.